Published in On Our Selection News January 16, 2014

Hot cross buns are apparently very important.

I know this because, thankfully, my mother likes to listen to the world’s most annoying radio station that discusses the pressing issues affecting the world today. One morning a few days ago, I awoke to the sound of people trash talking a packet of what is essentially mini bunloaves with bland icing. It’s a serious debate that warrants the attention of the nation, and seems to really rile people. And it’s not just on the radio – you overhear comments in the shopping aisles and between friends at lunch. They ask the big question: is it too early for hot cross buns? It’s not whether or not 2013 being the hottest year on record is something to be concerned about or the federal school funding model or even if Geoff and Brynne Edelsten are actually getting a divorce. The time of year that hot cross buns are sold is apparently the issue worth debating here. Hot cross buns come out “early” ever year, and yet people are still shocked and appalled by it. Every. Damn. Year. Flour, water and a few sultanas have never been more offensive. “We just got over Christmas and now they’re shoving Easter down our throats?!” is a common response.

First off, “just got over Christmas”?! Is Christmas really that tortuous of an ordeal for you? Were the presents, the astounding variety of sweet foods rolled into bite-sized balls and the general feeling of cheeriness too much for you to handle?! Holidays are fun – even if you’re single and hate spending time around your family. They’re fun because they make things different to jazz up what would have otherwise been a mundane work day. They give you an excuse to wear a silly hat or tell someone that you love them. “But it’s just so commercial!” you say to me. Yes. People want to make money. Accept it. Commercialisation is a symptom of the capitalist society we live in. A baker selling hot cross buns in January is no more of a shallow cash grab than a grocer stocking their shelves with apples. Commercialisation doesn’t make a holiday less special, it just provides multiple options of ways to celebrate. Because a holiday isn’t food. It comes without presents. It comes without tags. It comes without packages, boxes or bags – haven’t you ever seen The Grinch? Holidays are only “commercial” if you choose for them to be.

Secondly, the only thing going down your throat is a nice baked item, not the crucification and resurrection of Christ (luckily, as I imagine that would leave splinters in your oesophagus). It’s physically impossible to have a holiday shoved down your throat.

My final point is that, unless you’re being kidnapped and force- fed hot cross buns as some kind of fabulous torture, said baked goods are probably not being shoved down your throat. Most likely, you’ve got to be the one to walk into the store, purchase the offensive bun and feed it to yourself. As Captain Planet said, “the power is yours”. If you don’t want to eat a hot cross bun, you really don’t have to. And if you’re not into Easter, just view it as a fluffy sultana (or choc chip) laced treat that happens to have two very bland strips of some kind of vague icing substance which intersect at a 90 degree angle. Is it really that big of a deal? 

Published in On Our Selection News December 12, 2013

Gift buying can be an incredibly daunting experience.

Recently, my workplace engaged in the classic office activity of Secret Santa. We interact with each other on a daily basis, so you’d think it shouldn’t be that difficult to find something under $20 that they wouldn’t hate. Surprisingly, this was not the case. Everyone, it seems, had trouble with this novelty task. It’s just a matter of walking into a store, picking something from the shelves and remembering to bring it on the day, right?

Wrong. Because nothing reveals how little you know about a person quite like having to buy them a gift.

The point of a present is generally to show someone that your feelings towards them are somewhat amicable, so it is the norm to gift someone with something they would enjoy. This all sounds rather simple, but if you think about (like I have) you’re really handing over your assumptions and judgements about a person, all wrapped up in a neatly wrapped (or crappily wrapped – that also says a lot) package. Your relationship is summed up by the boxed object you’re presenting to the person. Here’s an example: Gift giver – “Oh I just though you would ADORE this pink wallet – it just screams you!” The receiver responds with “thanks”, but the inner monologue is going something along the lines of “I hate pink. Pink is the colour that vapid bimbos love. Aunty Cheryl thinks that I’m stupid and shallow. She will not be invited to my wedding and I hope her soul burns in hell.”

Just as food comas and choosing inappropriate topics for family conversations as the beers dwindle are sacred Christmas traditions, so too is the festive analysis of gifts. Once the break- fast dishes have been washed, me and my siblings gather to pick apart our gifts and work out who was the best giver of gifts. It’s a little competitive in fact. Winning as the gift giver is fantastic, but being told that you come off as dumb via a pleather wallet is slightly less fantastic. Yes, it sounds ungrateful, wildly stereo- typical of vapid bimbos and reads far too much into the colour pink. You’ve just gained a wallet and Aunty Cheryl did spend her money on you instead of another bottle of wine (although I’m sure that there are some Aunties out there where the latter option would be a gift for the whole family) but if you unpack it, the gift that someone chooses to give you can say a lot.

Being the receiver can sometimes mean being the receiver of a metaphorical slap in the face. And if you keep this in mind, it can make the role of gifter much more troubling. Particularly because if you’re close enough to someone that it would be awkward if you didn’t get them a Christmas present (i.e. family), then it is expected that you know a few things about them. But it’s not enough to know the basics – they love chicken nuggets, or they love Avril Lavigne – because that would result in a soggy package of melted globs of processed chicken offcuts under the tree or someone playing Sk8ter Boi on repeat.

If you’ve got to live with these people, you must be strategic in your gift buying. Go with something they’ve asked for or perhaps, buy a DVD you both enjoy, or a big box of chocolates they’ll feel obligated to share. Just don’t wrap it in pink paper.

Published in On Our Selection News December  5, 2013

Having an overactive imagination is harmful.

Last night, I spent the night in the house by myself. Spending the night alone in my uni accommodation townhouse in Brisbane is totally fine, but for some reason the old family house is a potentially life threatening situation. As far as I know, there are no Indian graves under the house, nor were there patients who died during from that (fictional) time our house was converted into a makeshift war hospital.

I blame the family portraits. Not only were they horrific to sit for, but as someone is getting violently hacked to death in a crime show, the camera inevitably pans to the family portraits that get sporadically splattered with blood before it cuts to the opening credits. That and all serial killers that feature on these shows tend to have a family complex that makes them murder nice families.

I shouldn’t be freaked out. I turned on Sex and the City in the hope that I would feel like a sassy, independent woman who isn’t afraid of anything, but instead all I felt was annoyed at how many times the main character says a variant of “I wondered…” and made everyone assume that anyone with a pair of ovaries has a crippling obsession with shoes.

Before that, I put up the Christmas tree and decorated the house. It looks like Santa had too many rum balls and vomited up all things Christmas in my lounge room. It’s so wholesome that there are even the fifteen year old crappy decorations we made as kids that my hoarder family can’t bring themselves to throw away. But then I turned out the light to go to bed, it looked somehow slightly sinister. This is the exact sequence that would make for a great crime show “Christmas special”.

The whole scenario just seemed like the start of an episode of Criminal Minds to me. There are shaky shots of me hanging decorations in the window where the camera is in amongst some bushes and there’s someone wheezing in the background to get that “scary stalker breath” effect. Then a struggle ensues and it results in me wrapped up in tinsel with a neatly slit throat. He’ll take a lock of my hair because that indicates some kind of psych- related business and will require the brilliant mind of Dr Read.

The truth is that I’m not writing this at the safety of my work desk with three other colleagues who could be killed first, acting as decoys, allowing me to get away to safety. I’m writing from the vulnerable position of my bedroom. That bit at the start about “last night” was a lie.

I made the scenario of me collapsing dead by the Christmas tree due to a neat slit of the throat to save myself the agony of a long and painful death that you often see on Criminal Minds. I don’t know how this night will end. Sure, I have the light above the stove on to frighten the serial killers and I’ll pull the doona up over my head, but as foolproof of a security system as I may have in place, I worry that it may not be enough.

I knew that I should have watched Home Alone instead of The Grinch. At least then I would have felt like turning my home into a comical deathtrap and getting a bowl cut instead of fearing that Jim Carrey was going to break in to my house.

Published in On Our Selection News november 28, 2013

Why do some men feel the compulsion to photograph large machinery?

As a weary 17 year old battling the post-Schoolies flu/ depression many moons ago, I was eagerly looking forward to opening the little paper document wallet containing the photos development from my formal. I wasn’t really concerned with the classic parents-and-dolled-up-offspring-in-front-of-the- sweet-ride photo, I was more concerned about images from by grand arrival emerging from said sweet ride.

So when I finally got the pile of glossy images in my hands, I was bitterly disappointed with what I had in front of me. There was one measly picture of me arriving at was the pinnacle of my meaningless high school existence, while there were five of my close friend’s entrance. Why? Because Dad was on photo duty and my friend rocked up in a big shiny prime mover.

This story doesn’t stem from suppressed rage brought to the surface thanks to the formal pictures that are everywhere lately (although, maybe it’s not a good sign…), but because a couple of my Facebook friends went to the open day at the Wellcamp airport, and of course my newsfeed was littered with photos of excavators, which got me thinking about what drives this secret desire to photograph machines. I just don’t understand what these guys do with these pictures. Do they look at them at night after too many wines with Celine Dion blasting and think about the good times? I can kind of understand that some people need to post them on INTERAMA when they’re working at the mines, but it’s those who take the time to get them developed that I don’t understand.

Mostly, this stems from being perplexed at my father, who is known for doing this. He’s not a typical car nut – he doesn’t wear a Holden or Ford jersey and talk about “sick body kits” around the barbecue with mates (thank goodness, or else we’d never hang out), but he has this weird habit of taking photos of trucks and cars for no apparent reason at all. Family trips to museums were always documented with one or two photos featuring the beloved ladies in his life, while the rest are of his apparent other love, being other transport machinery.

Dad is a real traditionalist when it comes to technology. A man who was very skeptical and suspicious of the microwave, he hasn’t taken to the digital camera as kindly as his younger counterparts. He prefers to take real photos and have them developed so he can get them in the little paper envelope folder thing and hold them in his hands. He’s basically your original hipster (he even prefers teapots to teabags).

But what does he plan to do with those photos? I’ve asked him on many occasions, but an explanation has always alluded me. There must be something I’m not seeing here. Perhaps these men are secret artists who are able to see the beauty in inanimate machines. Perhaps they are conveying the inevitable truth that we will all one day by useless and lay unused while we are still capable of making a difference. Perhaps Dad is deeper than I thought, maybe he really is a hipster.